{"id":928,"date":"2026-05-03T09:30:37","date_gmt":"2026-05-03T07:30:37","guid":{"rendered":"https:\/\/www.emmanuel-doser.fr\/?page_id=928"},"modified":"2026-05-03T14:39:36","modified_gmt":"2026-05-03T12:39:36","slug":"accueil-2-2","status":"publish","type":"page","link":"https:\/\/www.emmanuel-doser.fr\/?page_id=928","title":{"rendered":"D\u00e9marche artistique"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"928\" class=\"elementor elementor-928\">\n\t\t\t\t<div class=\"elementor-element elementor-element-fa22762 e-flex e-con-boxed e-con e-parent\" data-id=\"fa22762\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-6f7b499 e-con-full e-flex e-con e-child\" data-id=\"6f7b499\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-50cc42c elementor-widget elementor-widget-text-editor\" data-id=\"50cc42c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Ma d\u00e9marche r\u00e9unit deux pratiques qui, en apparence, pourraient sembler oppos\u00e9es : la gravure et le collage num\u00e9rique. L\u2019une proc\u00e8de par matrice, encrage et r\u00e9p\u00e9tition ; l\u2019autre par fragmentation, d\u00e9placement et recomposition. Pourtant, elles r\u00e9pondent \u00e0 une m\u00eame n\u00e9cessit\u00e9 : d\u00e9sorienter l\u2019image afin d\u2019en d\u00e9placer l\u2019autorit\u00e9.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p><p><b>La gravure :<\/b> En pr\u00e9sentant c\u00f4te \u00e0 c\u00f4te les tirages issus d\u2019une m\u00eame plaque, semblables mais toujours diff\u00e9rents selon les encrages, le travail met en crise l\u2019id\u00e9e d\u2019un original stable. Chaque image devient une occurrence, une variation parmi d\u2019autres, r\u00e9v\u00e9lant que ce que nous croyons unique n\u2019est souvent qu\u2019une modulation d\u2019une matrice invisible (\u00e0 l\u2019image des flux num\u00e9riques qui relaient sans cesse les m\u00eames images sur des \u00e9crans diff\u00e9rents, donnant \u00e0 chacun l\u2019illusion de partager la m\u00eame exp\u00e9rience singuli\u00e8re).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p><p><b>Le collage num\u00e9rique<\/b> agit autrement mais poursuit le m\u00eame geste : il fragmente l\u2019unit\u00e9, interrompt la continuit\u00e9, oblige le regard \u00e0 circuler et \u00e0 reconstruire.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p><p>Multiplicit\u00e9 et fragmentation deviennent ainsi deux strat\u00e9gies compl\u00e9mentaires pour emp\u00eacher l\u2019image de se refermer sur elle-m\u00eame. L\u2019\u0153uvre n\u2019est plus un objet clos ni un message univoque ; elle devient un dispositif, un champ de tensions o\u00f9 le spectateur est plac\u00e9 face \u00e0 sa responsabilit\u00e9 de lecteur. Dans un monde satur\u00e9 d\u2019images rapides et imm\u00e9diatement lisibles, ce travail introduit une r\u00e9sistance, une h\u00e9sitation, un ralentissement. L\u2019autonomie ne r\u00e9side plus dans l\u2019objet expos\u00e9, mais dans l\u2019attention port\u00e9e \u00e0 ce qui se joue entre les images. C\u2019est dans cet espace instable \u2014 entre r\u00e9p\u00e9tition et diff\u00e9rence, permanence et disparition \u2014 que s\u2019ouvre une temporalit\u00e9 suspendue, une br\u00e8ve zone d\u2019autonomie du regard o\u00f9 l\u2019image cesse de s\u2019imposer pour redevenir exp\u00e9rience<\/p><p><b>Axes de recherches :<\/b><\/p><ul class=\"ul1\"><li class=\"li1\"><span class=\"s1\">La r\u00e9sistance au mobilier ontologique (Philippe Descola)<\/span><\/li><li class=\"li1\"><span class=\"s1\"><span class=\"s1\">La proposition d&#8217;une TAZ (Temporary Autonomous Zone) de Hakim Bey, qui d\u00e9signe un espace-temps \u00e9ph\u00e9m\u00e8re de libert\u00e9 totale, \u00e9chappant temporairement aux structures de contr\u00f4le et d\u2019autorit\u00e9.<br \/><\/span><\/span><\/li><li class=\"li1\"><span class=\"s1\">&#8220;Dubbifier&#8221; l\u2019image en lui enlevant sa voix pour cr\u00e9er un espace d&#8217;interactions (Bill Laswell)<\/span><\/li><li class=\"li1\"><span class=\"s1\">D\u00e9sacraliser l\u2019image par le multiple et la fragmentation.\u00a0<\/span><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9838604 e-con-full e-flex e-con e-child\" data-id=\"9838604\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-745a37b elementor-widget elementor-widget-image\" data-id=\"745a37b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"884\" height=\"1024\" src=\"https:\/\/www.emmanuel-doser.fr\/wp-content\/uploads\/2025\/01\/Autoportrait-884x1024.jpg\" class=\"attachment-large size-large wp-image-708\" alt=\"\" srcset=\"https:\/\/www.emmanuel-doser.fr\/wp-content\/uploads\/2025\/01\/Autoportrait-884x1024.jpg 884w, https:\/\/www.emmanuel-doser.fr\/wp-content\/uploads\/2025\/01\/Autoportrait-259x300.jpg 259w, https:\/\/www.emmanuel-doser.fr\/wp-content\/uploads\/2025\/01\/Autoportrait-768x889.jpg 768w, https:\/\/www.emmanuel-doser.fr\/wp-content\/uploads\/2025\/01\/Autoportrait.jpg 1201w\" sizes=\"(max-width: 884px) 100vw, 884px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Ma d\u00e9marche r\u00e9unit deux pratiques qui, en apparence, pourraient sembler oppos\u00e9es : la gravure et le collage num\u00e9rique. L\u2019une proc\u00e8de par matrice, encrage et r\u00e9p\u00e9tition ; l\u2019autre par fragmentation, d\u00e9placement et recomposition. Pourtant, elles r\u00e9pondent \u00e0 une m\u00eame n\u00e9cessit\u00e9 : d\u00e9sorienter l\u2019image afin d\u2019en d\u00e9placer l\u2019autorit\u00e9.\u00a0 La gravure : En pr\u00e9sentant c\u00f4te \u00e0 c\u00f4te les [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-928","page","type-page","status-publish","hentry"],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":"Manu","author_link":"https:\/\/www.emmanuel-doser.fr\/?author=1"},"rttpg_comment":0,"rttpg_category":null,"rttpg_excerpt":"Ma d\u00e9marche r\u00e9unit deux pratiques qui, en apparence, pourraient sembler oppos\u00e9es : la gravure et le collage num\u00e9rique. L\u2019une proc\u00e8de par matrice, encrage et r\u00e9p\u00e9tition ; l\u2019autre par fragmentation, d\u00e9placement et recomposition. Pourtant, elles r\u00e9pondent \u00e0 une m\u00eame n\u00e9cessit\u00e9 : d\u00e9sorienter l\u2019image afin d\u2019en d\u00e9placer l\u2019autorit\u00e9.\u00a0 La gravure : En pr\u00e9sentant c\u00f4te \u00e0 c\u00f4te les\u2026","_links":{"self":[{"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/pages\/928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=928"}],"version-history":[{"count":10,"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/pages\/928\/revisions"}],"predecessor-version":[{"id":955,"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=\/wp\/v2\/pages\/928\/revisions\/955"}],"wp:attachment":[{"href":"https:\/\/www.emmanuel-doser.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}