{"id":780,"date":"2026-02-28T12:03:11","date_gmt":"2026-02-28T11:03:11","guid":{"rendered":"https:\/\/www.emmanuel-doser.fr\/?p=780"},"modified":"2026-05-03T23:13:39","modified_gmt":"2026-05-03T21:13:39","slug":"album-de-famille-4-3-3","status":"publish","type":"post","link":"https:\/\/www.emmanuel-doser.fr\/?p=780","title":{"rendered":"Chemin aimant"},"content":{"rendered":"\t\t
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\u00ab Chemin aimant \u00bb <\/b><\/span>explore le cheminement comme une g\u00e9ographie de moments plut\u00f4t qu\u2019une trajectoire lin\u00e9aire. Elle met en tension deux r\u00e9gimes d\u2019images : la gravure et le photomontage. La premi\u00e8re inscrit la trace, l\u2019empreinte, la r\u00e9p\u00e9tition. Le second organise la collision des fragments, superpose des espaces, fait coexister des mondes h\u00e9t\u00e9rog\u00e8nes.<\/p>

De cette dualit\u00e9 na\u00eet un langage du multiple : images redoubl\u00e9es, variations, glissements de sens. Chaque \u0153uvre agit comme un jalon subjectif, li\u00e9 \u00e0 des croyances provisoires qui orientent le regard. Ces croyances fabriquent des mondes poreux, capables de s\u2019attirer ou de se repousser, de se contredire ou de se f\u00e9conder.<\/p>

Le terme \u00ab aimant \u00bb condense cette dynamique : regards empathiques port\u00e9 sur ses propres choix, qu\u2019ils soient justes ou erron\u00e9s. L\u2019exposition propose ainsi une travers\u00e9e o\u00f9 la gravure ancre et le photomontage d\u00e9place, invitant le visiteur \u00e0 circuler entre des \u00e9tats d\u2019images et de pens\u00e9e, et \u00e0 reconna\u00eetre ses propres chemins dans cette cartographie sensible.<\/p>

(attention la page peut mettre quelques secondes \u00e0 charger)<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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